Episode Fourteen - Annson Kenney
Annson Kenney was a dynamic presence in Philadelphia from the mid-sixties until his death in late 1981. A visual artist, writer, performer, and composer, Annson was a difficult man to pin down. Although initially trained in music, his imagination and introspection led him far from his role as a contrabass player. In the 1970’s Annson designed a remarkable series of works using classic luminous tubing (neon tubes) that explored a variety of linguistic concepts. Still, he continued making performative works for himself and members of the Relache Ensemble with whom he had close working and personal relationships. On this episode we’ll listen to some of those sonic works and learn about Annson through commentary by his friends and collaborators who share their memories and insights to his life and work.
Episode Fourteen - Annson Kenney
Annson Kenney was a dynamic presence in Philadelphia from the mid-sixties until his death in late 1981. A visual artist, writer, performer, and composer, Annson was a difficult man to pin down. Although initially trained in music, his imagination and introspection led him far from his role as a contrabass player. In the 1970’s Annson designed a remarkable series of works using classic luminous tubing (neon tubes) that explored a variety of linguistic concepts. Still, he continued making performative works for himself and members of the Relache Ensemble with whom he had close working and personal relationships. On this episode we’ll listen to some of those sonic works and learn about Annson through commentary by his friends and collaborators who share their memories and insights to his life and work.